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Product Details:
Paperback: 608 pages
Publisher: Course Technology PTR; 4 edition (June 28, 2011)
Language: English
ISBN-10: 1435459113
ISBN-13: 978-1435459113
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9 x 7.3 x 1.4 inches
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Editorial Reviews Notes Sonja Schenk, author of The Digital Filmmaking Handbook Sonja Schenk on Film, Video & Shoot SLR film-like projects with digital SLRs is a fact of life in the entertainment industry this year dit step 2 videos download. Since January, I'm on a feature film screenplay, a pilot was not working scripted television, and a large 3-D film, were all of them with footage on the Canon 5D, 7D or T2i, and two, they had footage on the Go Pro shot as well (although it does not make the cut at the end) dit step 2 videos download. What have I learned? A lot! Here is the distilled version ... Shooting with digital SLR shooting with a DSLR more difficult for the operator of the camera. It is very difficult to keep focus and operation of a camera that is not designed to travel at the same time. If you find your pictures on his best behavior, you need an AC (assistant camera) to take up for discussion, since the camera operator has only two hands. Specific platforms, such as Zacuto and Redrock are great, but it is still difficult, these cameras than video cameras normal use, especially if they are not using a tripod. But it makes sense? The movie is fantastic! He has his own against stunning 3D Digital Cinema camera recorded on a high-end Red Hat. Not to say it looks the same, but it looks good, and - most important - if you'll look your photos into 3D on a giant screen, you do not say: "Why are things so bad?" Sound at the use a digital SLR camera with video is like stepping back in time 30th Bulletin, clapping, all methods for the old school of post-sync sound and picture are all valuable tools I know that almost every person has the same meaning.?. what the eyes eyes plural plural subject, like its sister product, Double Eyes, is large but in my experience it is to make only a portion of the road. If you are in office, and the eyes can not sync Pluriel 75% of your videos, you will be very pleased to have the slate and start the image and sound about the same time, and if eyes can not synchronize the plural thing, whether You can rest assured it is the substance that is difficult to synchronize -. Images in a noisy party, sequences in which the camera far was the sound engineer, and so on. So what should you do in the area, to ensure that you simply synchronize your video in the mail? Audio Recording with your digital SLR camera microphone. always better if you listen to a guide track, even if it's horrible and plural eye can not function without it sounds like your camera and start recording while using the old-school protocol. say say waiting for the "Camera Roll" on the camera man to "Speed", then say "Roll Sound" wait until the sound man "Speed" to say, and then use a slate to sync mark. The slate does not have to be electronic, for your digital SLR camera does not have a time code input, so that you can not synchronize your camera can jam and audio device to the shale. A simple tap water and if you do not have it, a hand clap will work well. You can also have an iPhone / app iPad as late movie, but I think it's a little slow. When you have finished your recording, you call "cut" and make sure your camera and sound to both the person to stop recording. Have your voice sound recorder slate (ie the tone sounds wild and ambient temperature) of non-sync audio recordings. This way you have a piece of clay for each video / image. There are close to the beginning of each piece of image and sound, there is a blackboard. HerEditor can quickly match media audio video files and look for the slate clap and get the synchronization. It does not take much time to synchronize the daily mail, if you choose to shoot in this way. But it can be much harder if you do not. Note that your editor is "blind". You will not know that you saved to your room after taking the second, unless there is a slate of voice, to tell them that's what this piece of audio. Without a chalkboard voice, she can hear cinqminutes white noise, while waiting for the clap of synchronization. More critical with digital SLR cameras and other multimedia files on the board a plan for media management, backup and transfer files from camera cards, hard drives have. There is no standard way of doing things, but I recommend a day of cards for your camera so that you do not have to remove all cards while you shoot. I also recommend having a job of the media on the tray and immediately copy your media to two groups of hard drives, how to draw. At the end of filming, to save a set as an off-site backup and then another series. If you use FCP, make a disk image from each camera card, because FCP uses the directory structure of the camera card. It is an inexplicable pain, like many things associated with FCP. DSLR post, if you follow the suggestions given above, the synchronization will not give too many problems. But before you synchronize, you need to transcode your media Camera Raw. DSLR shots with the H.264 codec, the non-native or Final Cut Pro or Media Composer. Most likely you will choose to transcode the Apple ProRes or Avid DNxHD or FCP if you, if you use Media Composer. There are many variants of each of these codecs, but also for the media DSLR I would choose Apple ProRes 422 and Avid DNxHD 115th Prices and the pixel dimensions vary, as you turned off the movie. These codecs do not degrade your original camera media, and are a safe choice. However, they make each folder to 2.5 larger than the original camera. A feature film with 1 TB of media materials will need over 2 TB of storage, when transcoded. Transcoding takes so long. Script for the feature, we left our daily treatment of the night every night. For the functionality, that killed doc about 80-100 GB / day, it took 12-15 hours to transcode a day of shooting. One word of salvation: If you rename your file and do you organize your media files on the OS plan it before you import your media files in your image editing program. Once you do that, it's best to leave it as is. If you must move or rename files at a later date, make your image editing program, so that the critical connection between your Media-based files and your editing software is not lost. Once you spend the whole time transcoding and synchronization of your new media is a lot seinArbeitszeit. Time to another set of backup disks, you now have to create two sets of camera support original and two sets of transcoded media. You'll never regret it. Believe me.
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